QUOTE(PWES @ Aug 18 2010, 02:06 PM)

Dave is right in what he says above, and if you are doing VERY VERY long runs then the proper stuff is going to give you less faults (the odd fixture doing it's own thing and taking the rest of the chain with it !). Big Wembley style shows with big name artistes cannot afford even one fixture to go wild, so they will only use top grade gear, and cables, fully checked before and after rigging
Don't they also use a number of DMX universes and probably dedicated splitter/amplifiers too along the way..
QUOTE
I've never measured it, but as an example (not a willy out moment !), I run a single DMX channel up one stand, in and out of up to 12 fixtures of various makes, down the other stand, into upto 46 LED par cans round a very large room (old Abbey) (LED's are cheap german ones) and use no terminator !
It all works fine, until a cable breaks obviously, but when the cabling is fine, so are the lights !
I've found a pair of new DMX Scanners which refuse to work unless you terminate the end of the chain! They've also got reversed polarity too
I've done about a 96mtr run around the school hall once.. 4 dmx lights, rack mount dimmer, 8 kam led pars and had no issues. two lengths were 20mtrs.. The only time I used the 20mtr "dmx" or "audio" lead is to run the audio a long way to remote amplifier for a school playground!
Cheers,
David.