QUOTE(Teez @ Apr 20 2010, 01:13 AM)

Yes good luck.
For the dance stuff I almost always set up an 8 or 16 beat loop, synchronise it then fade it across (if it's a good loop and the key is right I let both run for a while) and then release the loop. So much easier than mixing on the fly.
Don't know if anyone else does it that way but I picked it up from an American DJ and for the types of unsophisticated audiences I play to it works well enough.
I don't do it the DJ Tutor way as all I'm after is that my audience enjoys my mixing (which they do).
The fact that I'm using technology to do the beatmatching rather than finger tapping is purely a commercial decision. This is not an area where principles matter to me.

I work in a similar way, although I am just getting used to Traktor (with X1 Control) and what it can do.
I have an 8 bar of the incoming song already synced over the top of the playing song, then loop the outgoing with an 8 or 4 and drop in the incoming over the top, using the bass cut where necessary.
Then on the outgoing i chop the loop -> 2, 1, 1/2 beat over the incoming, then release the loop on incoming and drop the fader on the outgoing so it hits the vocal or hook on the incoming right on.
It gets a really good reaction as they know what is coming and are just waiting for it to kick in :)
In terms of the house tunes, it might be best to learn and get used to tunes that you know and play at parties, like 90s dance, Bobby Brown, Livin Joy, insomnia, sandstorm etc, etc This is what is going to change the experience for you audience whereas, and this is my opinion, some of the long house mixes are actually pretty easy to beatmatch and keep in time and the guys who work the clubs are working with audiences which are more open to music they haven't heard before and will just dance to a beat. At mobile functions this is completely different and often i will only use 2 minutes of a 3-4 minute tune, all mixed up to keep them dancing.