(memo to self: Get more Pro-plus, and some Red Bull to wash it down with).
The other big advantage is that the gear gets set up during the last week of November, and stays up until January 2nd.
Im sure we're all in similar positions, with diaries bulging during that lovely month, however...if somethings going to go wrong...Christmas (only 92 days away) is going to be the worst possible time for something to go wrong...also, its the most likely, since we'll be using our gear more.
So, heres an idea, which I've put into play for more years than I care to remember...and if you're working alot of nights in one venue this December (mobile) its something that you could consider. Its easy.
Ask the venue if you can set up all the gear in their hall/function room on some day which is quiet for them. It might be a wet wednesday, or a dull November sunday etc - eg: A day that they wont be losing any money by lending you the room free.
Two key points to explain: Firstly, mention that its in their own interests, as much as yours, as you would like to use the room to test the gear, to reduce the chances of anything going wrong during any of THEIR christmas gigs. Secondly,
aleviate their remaining fears by pointing out that you wont be running the sound at "full blast", just background levels.
I've done this "Test day" at hotels for several years now, and whats more, one regular hotel even got their visiting qualified electrician to PAT test all my gear "while he was there"
These days are often great for just getting all those trivial "5 minute" jobs done, that you just dont get a chance to do when you've been given 4 minutes to set up in, eg: during all those lovely weddings over the last few months.
I know instantly that I'll be removing and washing the air filters for the amps, glueing down some of the rhino-hide thats come loose on the sides of the light screens, opening ALL the mains and bulgin (lighting) plugs to check for loose (or loosening) wires/screws, changing bulbs in the light screens, checking the wiring inside the systems flightcase, drilling an extra "height" of holes in the tripod pole, and the odd lick of paint here and there.
I normally take along a couple of mates and set the sound gear up on one side of the room, and the lighting on the other, so that we dont get in each others way.
Also, the background music normally attracts a few of the waitresses, who are happy to swap hot food for requests...
